Luckily, Netflix has you covered, with plenty of pick-me-up comedies to make the worst day of the week a bit more jolly. The places evoked in the comics Adèle Blanc-Sec, Largo Winch, Blake and Mortimer, Michel Vaillant…īut also in the novels of Ernest Hemingway, Victor Hugo, Leo Malet, Daniel Pennac, Marc Levy, Guillaume Musso… you’ll find all the must-see places of Parisian Pop Culture in this new guide.Ugh… Mondays, am I right? Every week kicks off with that trademark despair so expertly articulated in Mike Judge’s Office Space : you’ve got a case of the Mondays.
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The café of Amélie, the mansion of Untouchables, the jazz club of the finale of La La Land, the Hôtel du Nord of the mythical replica of Arletty “Atmosphere”, the cinema of A bout de souffle, the restaurant of Ratatouille, the quays of the Seine of Midnight in Paris, the secret places of the Da Vinci Code, the grocery store of January in La Traversée de Paris, the Bridge of Inception and Peur sur la ville, the addresses of the spectacular scenes of Mission Impossible 6, but also series Call my agent, Gears, Le Bureau des légendes, Sense8, Sex and The City, Gossip Girl…Įtienne Daho’s Café de Flore, Jay-Z and Kanye West’s hotel in Nas in Paris, Serge Gainsbourg’s Poinçonneur des Lilas metro station, Serge Reggiani and Marc Lavoine’s Mirabeau Bridge, Mc Solaar’s Lyon station… It was closed in 2015 due to works, but is now reopened since November 2017! Go for a swim in this splendid Art Deco style swimming pool!Īddress: 6 Rue Hermann-Lachapelle, 75018 Paris The swimming pool which was used as a set in Jean-Pierre Jeunet’s film is now classified as a historical monument. Admirals’ Pool Building and swimming pool of the Admirals (Architect: Henri Sauvage) / CC-BY-SA-3.0,2.5,2.0,1.0 / Remi Mathis With the exception of two brief scenes, on the phone at Sacré-Coeur and at the Café des deux moulins, Amélie and Nino do not exchange a single line of dialogue in the film. This shop was opened in 1900 and is a great success with many customers.
In this small shop on Boulevard Saint-Martin, it is possible to feel the same emotions as the young protagonist in front of so many articles. She takes a picture of herself and sends a very nice letter with the picture to Nino Quincampoix (Mathieu Kassovitz), her secret lover. In the costume shop with its tempting windows, Au clown de la République, Amélie Poulain (Audrey Tautou) is looking for something to wear before her photo booth session. More than just a coffee, a myth! Read more 2. During the filming, it happened that smoking customers begged the actress to sell them cigarettes. Only the tobacco counter, run by Georgette (Isabelle Nanty), no longer exists today. They did not recognize either the director or the actress. Years after the shooting, some even asked Jean-Pierre Jeunet and Jodie Foster to step aside so as not to be in their shot. The menu is entirely revolved around the film, with some of the best selling crème brûlées, and tourists parade to photograph it. This coffee still exists and is part of the attraction of the place. And this link with the work is so strong that he decided to sell his establishment, not to the highest bidder, but to the one “best able to preserve Amélie’s coffee.
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Jean-Pierre Jeunet knew how to perfectly transcribe the charm of the Parisian cafés and all the poetry of the neighborhood,” he said at the time of his retirement in 2002. Today, we come from the United States to visit Les Deux Moulins. “With this film, I had a unique and magnificent experience. Jean-Pierre Jeunet undertakes to do everything possible to cause as little disturbance as possible: no filming on weekends or at delivery times, no cables on the sidewalk or production trucks in the street… After questioning his loyal customers, almost all of whom were favorable, Claude Labbé agreed. At the head of the establishment since 1986, Claude Labbé does not wish to impose any upheaval on the other businesses. After discovering the place during a lunch in October 1999, her first request was turned down. And yet the director had to insist that the former owner put his cameras there. Amélie Poulain (Audrey Tautou) works as a waitress in this café, which has become an icon of international cinema since Jean-Pierre Jeunet’s film.
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